Hey, friends. I'm trying something a little different here... short stories. I'd love reader feedback (as always!), but specifically-
1- What emotions did the story make you feel?
2- Shall I keep going? Of course, I'm continuing to write spiritual memoirs, but something about "true fiction" gives me the freedom to delve into emotional territory that memoir writing must sometimes skirt.
3- Thanks always for reading! pax, pm
When it’s said of anyone, “they’re closer than brothers”, I tune out. For one thing, I don’t know too many brothers that are all that close, and for another, I don’t approve of brotherly love.
1- What emotions did the story make you feel?
2- Shall I keep going? Of course, I'm continuing to write spiritual memoirs, but something about "true fiction" gives me the freedom to delve into emotional territory that memoir writing must sometimes skirt.
3- Thanks always for reading! pax, pm
When it’s said of anyone, “they’re closer than brothers”, I tune out. For one thing, I don’t know too many brothers that are all that close, and for another, I don’t approve of brotherly love.
When Gideon toppled out of my womb, it was with little
effort on my part. The way had
been made three years earlier by his older brother Amos, who time would prove
to be bigger, stronger, and smarter.
The pattern of Amos making the way clear for Gideon was one that
my sons never grew out of. When
the runt needed the elder’s muscle in the playground, all he needed to do was
whistle. Gideon took great joy in
prodding older or bigger boys into fights, and then ducking out as Amos dove in
head first, fists flailing and curses spewing from his mouth.
The burden of being responsible for someone of no social
intelligence is hard to shoulder, especially when the bond is blood. Somehow, that responsibility left my
hands and fell to Amos’ on the day that Gideon came complaining headfirst into
the world.
Amos could sing beautifully from the time he started
walking. He paraded around the
house, strumming my father’s old Gibson mandolin until the day that he hit on
something like a chord. From that
day forward, Amos knew what he was supposed to do with his life.
Tiny Gideon, that simple boy, wasn’t cut out of the same
cloth as Amos. If Amos sounded
like the child of Hank Williams, and I’ll take the credit on that, Gideon
sounded like the love child of Phyllis Diller and Buddy Hackett- there was
nothing glimmering in his voice, and nothing dirty or rusty. His vocal chords held nothing of the
poetry of music, only the notes.
Finding that his brother could squawk out a note, Amos
taught him to play guitar, and taught him the harmonies that would befit his
hollow sound. Amos shouldered the
burden of having an ordinary brother by helping him to appear talented. As it happened, it only made Amos shine
brighter.
Blessed be the ties
that bind, says an old hymn.
But I say it’s a curse to be related to an idiot. Don’t chide me for my lack of maternal
niceties; I am too old to be less than honest. Death is coming for me like a wise old hound dog, and I’ll
be damned if I’m going to walk through the Pearly Gates with a lie tucked
behind my lip like some old chaw.
I’m done saying that my boys were good. They were both no good, and I may have delivered them into
this world, but they delivered each other into the evil that has made them
bright stars. Some people make a
deal with the Devil, but my sons, and I can hardly bear to call them mine, had
each other to make a bargain with.
Amos I have loved, and Gideon I have hated, but Amos made it
easier by being the nice son, the diplomat, and the hand shaker. Gideon was fly in the ointment, a
trouble maker, ne’er do well, kicking at the hornet’s nest until it would
nearly explode, leaving Amos to pick it up and hurl it into oblivion before
anyone else got hurt.
When they visited me in this lime lit room, I couldn’t wait
for them to leave. Neither of them
meant anything nice, it occurs to me, but Amos would offer a few polite
remarks, counter to Gideon’s badgering.
Gideon would repeat my every word in a mocking fashion, dumbly finding
great humor in the remarks I made.
I talked of my pain, and it would bring Gideon great reason to laugh.
Before leaving, they would go to the waiting room and sing
to enthused old timers.
I don’t care if I hear a lick again.
You ask where their father is, and I’ll tell you he’s dead,
too, but not before filling their heads with dreams of floodlights and adoring
fans. Fans that old rascal
couldn’t begin to count. Fans he
couldn’t even dream about. His
card tricks and hatful of rabbits intrigued them when they were little, and the
sexy tramp getting sawn asunder widened their eyes when they were coming of
age, but an old magician with stale jokes and writing tear stained postcards
from BFE couldn’t hold a candle to boys who could really sing.
One August night, he made the mistake of unleashing them at ages
9 and 12 on an audience in Bartlesville, and those 13 people wouldn’t let the
boys off stage. Worse, the lit up
Okies wouldn’t let him back on. No trick in the book could undo the
thing that he set into motion, and no soothing spirit could lead him to forgive
himself for the pride that cometh before a fall.
The boys were hooked on performing from that moment on.
No longer did they fight me when I dragged them to the
Pentecostal Church on Sundays. The
holy rollers thought it was the Spirit that prodded my boys to spontaneously
start singing in the middle of the service, but I knew what was going on; I
knew they had to be seen and heard, just like an addict needs to stick a needle
in her vein.
The boys would start singing, and the congregation would
urge them on into glory. “Yes,
Lord”, women swooned. “Hal Lay Lou
Ya!” men shouted, and I’ll admit I basked in the glow of my stars. “They’re touched from above,
anointed!”, cried Brother Clay, tears in his eyes, pride shining from his
face. God was going to send my
boys out into the world from Brother Clay’s tiny mason block tabernacle to be
warriors for Christianity.
Marching as to war, they went.
When they were old enough to drive, they quit school, and
took my Buick 6 on the road, playing in every Pentecostal Church in
Missouri. They would play for a
“Love Offering”, at which time they would announce, “The Lord just told me someone
is going to give us one hundred dollars tonight, Praise God! Now, who is feeling that call this
evening? Who has had it laid on
his or her heart? Glory to
God! Let’s give a hand to this
sweet sister over here!”
Down the highways and up the byways they traveled, sometimes
singing their songs in joyous appreciation of each other, and sometimes beating
the living shit out of each other.
Despite all that made up harmonizing, those two hated each
other like any right minded Siamese Twin hates the other, one being the host,
the other being the parasite.
Yet, when push came to shove, loyalty sprang up like a weed
and those two stuck together like glue.
They were closer to each other than they were to the women they
married. They were a team, albeit
ill-fated, and they stuck together like glue.
One would never hear of any criticism of the other, no
matter how constructive or innocent or even wise. There was no talking to them.
I must have been alone in knowing that they hated each
other. I saw it from the time Gideon
was crawling. I saw it as he
dutifully obeyed his brother, and screeched out the broken notes that would
eventually be taken as charming and folksy. I used to beg Amos to let Gideon to find something to do
that was of his own invention, but Gideon was so pitifully stupid that I
finally accepted that the Good Lord had blessed him with a watchdog and
shepherd all in the person of his older brother.
After 13 years of being Gospel stars in tents all over the
South, Amos pulled their station wagon to the side of the road one night, got
out, said “Try life without me” to Gideon, and stepped into the path of an
oncoming Greyhound.
With Amos gone, Gideon needed to find a new place for his
shadow. He moved into my house,
lived on my social security, and expected me to pick up where I’d left off all
those years ago.
Nobody wants to hear a broken harmony part without the
melody shoring it up, but sing to me he does every afternoon, if you can call
it singing. “I come to the garden
alone” he pipes away, and that’s where I want to be- in a garden alone.
As he leaves, a nurse smiles and tells me what a wonderful
boy I raised. “He’s very
talented”, I say with a smile.
I was confused at first until I realized it was fiction. I like it! You're a wonderful writer who paints such a vidid picture!
ReplyDeleteThanks Elizabeth!
ReplyDeletePax
u.p.
Great idea to write in the voice of the mother. One thought - will a general reading population get the veiled references to both scripture, hymns and practices of which they may be unaware? Apart from that thought, this is a good piece of writing.
ReplyDeleteDuane
Thanks Duane... not worried about whether the literary references are connected, but delighted that you can see them!
ReplyDeletepax
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There are a lot of surprises in here - plenty of emotions for me. But the twists and turns are what make it interesting. The ending was a bit of a stunner and I was kind of upset about the mother's attitude towards her kids! So it kept me engaged all the way through. Well done.
ReplyDeleteThanks Larry. Yes, it's always a bit strange when we encounter a parent who's given up on their kids. Thanks for sharing your emotions regarding this piece. If you haven't already, please check out my book "God On The Rocks: Distilling Religion, Savoring Faith" from Jericho Books.
DeleteAll the best
pax
pm
I find the story interesting coming from the mother. She is not a part of this story about two brothers, not really, even though she is the messenger who brought them into this life. I suppose it's suiting she should be the messenger to tell their story.
ReplyDeleteI find the characters to be realistic. My daddy was the runt of his family, but he was a fighter, and he and the next oldest brother in the family were always cleaning up after the baby of the family picked fights and left it to his siblings to finish up. You brought me into the story there, and I felt a connection.
And the turning point in the story, the part in which Amos steps in front of the bus, is a shocker for the reader, but, to me, it is NOT a shocker for his character. I study people constantly. (I am a writer too.) And music is my passion, my fire, and I am intrigued by musicians, their egos, their passions, their impulses. Yeah, I can see Amos doing this. Believe it or not, I felt as though I was right there in the car with them during a heated argument, a typical heated argument.
And, boom, it was over.
And I can see Gideon doing exactly what he does, going back to mediocrity because he was living off of this thing Amos possessed. I have known many Gideons in my lifetime.
I don't think I've given you much constructive feedback here. :-)
While I wish I had spent my life playing music or living in the music world, I have lived my life as a teacher, now teaching high school/college freshman English. So if I were to ask my students and myself what the "so what" of this story is, I probably would come up with this answer:
Some people have this "thing" within them that makes them create, a "fire in the belly," poet Maggie Vaughn once told me. And this fire pushes the person who carries it; sometimes it even consumes the person. Many people are warmed by this fire, and once it goes out these watchers may possess the kindling, but they don't know how to make the sparks for themselves. Unless people have this fire, they won't REALLY feel it or understand it.
What else could the mother do? If Amos didn't possess this fire, then none of this story would have existed. And when the fire went out, so did the story.
The mother didn't understand the fire. Gideon didn't understand the fire. And Amos felt it, but, like others before him, he probably was overwhelmed with how this fire was warming everybody else, could even be used to manipulate everybody else, but he was just a holder.
Cool story. :-)
BTW, I read God on the Rocks and savored every part of it. I picked up the book because in the 90s I was a freelance writer and I had a chance to interview you. When I saw your name, I said, "I gotta have this book." Your words were good medicine, just like your music. Thank you.
Theresa, thanks for these insights and for your personal take on the story. I'm glad you liked it. Thanks also for reading God On The Rocks! Tell your friends, and please leave a review on Amazon!
ReplyDeleteHappy New Year
pax
pm